Bruce Hepner began his architectural career in 1990 as an associate for Ron Forse, with whom he became one of the early advocates and influencers of historic golf course restoration. He returned home to Michigan in 1993 to work for Tom Doak, first as a shaper and later as a designer at modern masterpieces like Pacific…
Mike Nuzzo seemed to have struck gold when he was hired by a wealthy Texas businessman and rancher to build an ultra-exclusive golf course intended only for the client’s personal use. For almost three years, Nuzzo, a first-time architect, and Don Mahaffey, a turf and irrigation specialist, coaxed out a wide, bouncy and fascinating 18-hole…
Jam on this: A golf course snuggled as cozily into its community as a baby in a cotton sleeper. A circuit of kids, adults and dogs passing down neighboring paths. A place where everyone walks, either bag on shoulder or with a trolley. Holes of welcoming length and width, with not a blade of rough.…
Tim Liddy began his career working closely with Pete Dye in 1993, transitioning into golf course design following a career in landscape architecture. The two men have enjoyed a close collaboration for a quarter century, with Liddy becoming fluent in the Dye vernacular while also establishing his own independent firm responsible for highly acclaimed original…
Brad Klein has been one of the media’s foremost authorities on golf course architecture since he began writing for Golfweek Magazine in 1988. He created that publication’s highly influential ranking of America’s 100 greatest modern and classic courses, and he recently, after 30 years, moved on to a new position with Golf Advisor and the…
[Note: This course is permanently closed. The review was originally written in 2011] Sugarloaf Mountain should be the model for future golf course designs in Central Florida, particularly those built in the scrub, orchard and sand hills regions west and north of Orlando. That is if there are any future golf courses. Unfortunately the course and development…
Every architect’s ideal scenario is to be able string together unlimited variations of holes on a vast, moving, unencumbered property. Bill Coore and Ben Crenshaw’s boundless opportunity at Sand Hills comes to mind when we think of the ultimate example of man vs. wild golf design. In other situations, limitless freedom across a property can be anything but liberating. Few places…
Keith Rhebb is one of the leaders of a new generation of golf course architects who have learned the trade shaping courses for design-build luminaries like Bill Coore and Ben Crenshaw, Tom Doak, and Gil Hanse. He’s worked for Coore and Crenshaw at places like Lost Farm at Barnbougle Dunes, Cabot Cliffs and Streamsong…