Designer Bill Coore comes into the salon to discuss greens and putting surfaces with Jim Urbina and Derek Duncan. Topics include the importance of shaping greens and surrounds in relation to single holes or the entire golf course, the 14th and 2nd greens at Sand Hills, building “floating” greens and finding natural landforms, looking vs.…
Jim Urbina and Derek Duncan discuss George Thomas, Pete Dye’s par-5 holes, Riviera, the Ghost Tree at Old Macdonald, whether bunkers have become too sanitized, “reasonable” green speeds, Stimpmeter readings from the 1970s. Powered bycowin app download Then Don Mahaffey enters the salon to talk about the beautiful simplicity of Mike Nuzzo’s Wolf Point, the…
Drew Rogers hung out his own design shingle in 2010 after working 18 years with the firm of (Arthur ) Hills & (Steve) Forrest. While working for Hills he gained extensive expertise building new golf courses, albeit it to the specifications of Hills and his clients. Today, Rogers’ own architectural point of view is evident…
When the story is at last written about the current era of neoclassical architecture, Jim Urbina is certain to be featured as a star character. He represents a distinct branch of the Dye architectural tree having begun his career working on projects for Pete and Perry Dye. Later, Tom Doak hired Urbina at Renaissance Design,…
Tripp Davis is arguably the most skilled amateur player among active architects. He helped the University of Oklahoma win a National Championship in the 1980s and has been a ranked amateur for most of his adult life, even reaching the quarter finals of the 2009 U.S Mid-Amateur. Fluent in both original design, remodels and historic…
Dutch architect Frank Pont made a dramatic jump from the diverse worlds of engineering, corporate banking and mergers into golf course design in the mid-2000s. Since that time he’s become one of Europe’s most active and respected practitioners in historical restoration and remodeling. Through his work at some of the most prominent old courses on…
Ah, it’s that time of year—the flowering trees, the treacly theme music, crippling pollen and the lamentation of everything Augusta National gets wrong with its golf course. For many historians and a large sector of architectural observers, criticism of all that Augusta National has lost or surrendered over the decades, including the original design intent…
There is no point in trying to “rate” Augusta National. Putting an evaluation or rating on the golf course would be like doing a contemporary movie review of “Star Wars.” It doesn’t matter. Commenting seriously on Mark Hamill‘s flat delivery, the anti-intellectualism of the “Force” or the cheapening effect of Han Solo‘s dues ex machina arrival in the…
Canadian designer, author, artist and historian Keith Cutten returns (Episode 15) to discuss his new book, “The Evolution of Golf Course Design.” The book traces how golf course architecture has morphed and changed through time, and, more importantly, examines the underlying societal and economic forces that continually shape the way golf has historically been created.…
Jay Blasi founded his own design company in 2012 after working for Robert Trent Jones II for over a decade. He gained notoriety as the lead associate on two high profile Jones courses: The Patriot Golf Club in Oklahoma, and Washington State’s Chambers Bay, host of the 2015 U.S. Open, where Blasi was instrumental in…