LPGA International provides a good lesson why resorts and clubs should hire different architects when building more than one course. First, why not offer variety? Second, it’s insurance against the one of the courses falling out of style, or out of favor, as it did here. It isn’t often in a golf lineup that an Arthur…
The Champions Course at LPGA International is Rees Jones in all his stereotypical glory with repeated perimeter bubble humps and cartoonish bunkers. The uniformly round and oval greens look like they were designed by computers programmed to calculate perfectly spaced 1 through 5 pin positions separated by linear shelves and tiers. The entire site is flat and rotten with…
Walking Stick features one of the most distinctive natural features in Colorado golf, a gaping, rocky arroyo, yawning wide in anticipation of errant shots. Too bad it’s an almost irrelevant golf feature. Maybe architect Arthur Hills was shy about having public players hit over the chasm, or there was no affordable way to get golfers…
Julington Creek Golf Club is the kind of course that’s hard to say much of anything about, good, bad or indifferent. Well, maybe indifferent. It’s basic, competent Jacksonville golf, which is to say it’s flat, roams enormously through a development, features a good bit of water and a few wetland crossings, and has little unique character.…
The short review of The King & Prince Golf Course (formerly known as The Hampton Club), out at the north tip of St. Simons Island and owned by The King & Prince Beach Resort, is 14 exercises in rather ordinary Lowcountry-style golf interrupted by an out-of-the-ordinary four-hole foray through a large Intracoastal marsh. The longer version is that…
Every architect’s ideal scenario is to be able string together unlimited variations of holes on a vast, moving, unencumbered property. Bill Coore and Ben Crenshaw’s boundless opportunity at Sand Hills comes to mind when we think of the ultimate example of man vs. wild golf design. In other situations, limitless freedom across a property can be anything but liberating. Few places…
Keith Rhebb is one of the leaders of a new generation of golf course architects who have learned the trade shaping courses for design-build luminaries like Bill Coore and Ben Crenshaw, Tom Doak, and Gil Hanse. He’s worked for Coore and Crenshaw at places like Lost Farm at Barnbougle Dunes, Cabot Cliffs and Streamsong…
Just had a great talk with Keith Rhebb, designer and shaping specialist with Coore & Crenshaw, as well as architect, along with partner Riley Johns, behind the fantastic remodel of the 9-hole Winter Park (Florida) GC. Look for the episode to be up by Friday.
To renovate or restore. That is the question many historic clubs must decide when their courses are in need of repair. Just as many would view it a tragedy to deface a pristine Colonial- or antebellum-era house with modern accoutrements, prominent golf voices believe the features of classic era courses, and the architectural intent behind…
I’ll be speaking soon to Ron Prichard, golf course architect and one of the most respected historic restoration specialists in the business (we’ll find out if he approves or disapproves of that term). I’m sure it will be a lively chat — check back in next week for the discussion.